My practice begins with the implicit presumptions that render everyday objects legible - continuity, stability, spatiality, and other conditions of perceptual coherence. These presumptions are bent, subverted, and intensified until their perceptual grip manifests, opening questions of whether dimensionality is given or produced, what forms of stability measurement itself presupposes, and whether space precedes objects or emerges through them.

The investigation places ontological formalism and phenomenological inquiry into sustained tension, treating their respective assumptions not as axioms but as interventions brought to bear on the same objects. Sculpture thus becomes the site where idealization meets physical resistance, and perception is unsettled by the very systems that organize it.

Process here is a continued dialect rather than a synthesis. Moving from ordinary observation through metaphysical inquiry, computational operation, and material production, the work culminates in objects that challenge their own coherence, articulate political critique in mathematical form, and establish poetry not as metaphor or ornament, but as residue.